BORDERLINE: 2007

Friday, 4 June 2010

MUSIC REVIEW - LAZARUS A.D. - "The Onslaught" (2009)

It's more than fitting to think that the almost dead Bay Area Thrash sound should be resurrected in full force by a band called LAZARUS A.D....

Ironic almost Alanis, don't you think. Bitch?

SPIN IT

8 Fucking seconds

Hell, less. Within a moment of catching the blistering lead notes from album opener "Last Breath" I was instantly, and totally, addicted to the sounds of Bay Area Thrash all over again. Even more so by the time I made it to the title track, tracks 5 & 6, in particular track 5 "The Onslaught Pt. 1 - Revolution". I've had that 1 track spinning now for about 5 weeks solid. And whenever I drop a LAZARUS A.D. Youtube link around the place, you guessed it, it's the link to Revolution.

THRASH OR DIE is the motto of Wisconsin based LAZARUS A.D. and after repeated spins of their 1st long player "The Onslaught", you know these boys mean that shit for real. Damn it, if these guys aren't the deserving bastard love-child of Metallica and Slayer I'll start listening to Justin Beiber. THAT'S how fuckin seriously LAZARUS A.D. and The Onslaught has impressed me.

Fast, furious, brutal, infectious, and just plain rockin the motherfuck out is the best way to describe the aural assault delivered direct to your earholes by the 10 track metal barrage.

MEET THE BAND

Dan Gapen- Lead Guitar/ Vocals
Jeff Paulick- Lead Vocals/ Bass
Alex Lackner- Guitar
Ryan Shutler- Drums

LAZARUS A.D. formed in Wisconsin in the spring of 2005. While LAZARUS A.D. is a thrash metal band, their sound isn't a simple throwback to the 80s bay area sound. They breathe a breath of fresh air into modern thrash with intelligent lyrics, memorable riffs, thrash breakdowns, mid-tempo grooves, and high-flying solos.

The band began work on their first full length album in January of 2007. Recorded and engineered by Chris Djuricic (Soil, November’s Doom, Michael Angelo Batio) at Studio One, and mastered by James Murphy (Death, Testament). During this time LAZARUS A.D. was approached by Earache Records to submit a track for an upcoming metal compilation. From The Onslaught, album opener "Last Breath" was one of the 16 songs chosen to appear on Thrashing Like A Maniac, and they were the only unsigned band on the entire compilation! The Onslaught was originally released by the band in 2007 and only 1,000 copies were pressed, then, in 2008, LAZARUS A.D. received a call from Metal Blade Records. The Onslaught was then completely re-mixed and re-mastered by James Murphy and saw worldwide release through Metal Blade Records in March 2009.

Since then the band has been furiously touring and promoting "The Onslaught", and it's only a matter of time before we see what LAZARUS A.D. is truly made of. I'd say metal...

JUDGEMENT DAY

I make no secrets about my absolute love for this album. It started out perfect, and just got better and better with each track. All killer and no filler isn't even close. And that, for me, IS the mark of any great album. If i never have to hit FF or skip, you know it's on the money. Hell, I have trouble turning off album repeat on this.

Stand out cuts for me were Last Breath, Thou Shall Not Fear, Revolution, and Absolute Power. I strongly encourage you to support these hardworking Wisconsin boys, go out NOW and buy this album, and when they're next in town, get off your lazy ass and spend a dollar to keep real metal alive.

SKULL SCORE OUT OF 5

THE REAL

BAND: LAZARUS A.D.

LABEL: Metal Blade Records

GENRE: Thrash/ Groove Metal

ALBUM: The Onslaught (2007 & 2009)

TRACK LIST

1.    Last Breath
2.    Thou Shall Not Fear
3.    Damnation For The Weak
4.    Every Word Unheard
5.    The Onslaught Pt. 1 - Revolution
6.    The Onslaught Pt. 2 - Rebirth
7.    Lust
8.    Forged In Blood
9.    Absolute Power
10. Who I Really Am

REFERENCES

http://www.lazarusad.com
http://www.myspace.com/lazarus1

http://www.facebook.com/lazarusad

Written review by stonerphonic © June 2010

FILM REVIEW - Sukiyaki Western Django (2007)

Spaghetti Western?

Sushi Western...

That's right, you're getting Leone and Corbucci with chopsticks. And for what its worth, it's not a bad deal to "take home" at all.

HIT IT UP

Most horror junkies are aware of the influential and inspiring work of Takashi Miike, the man who brought us such films as "One Missed Call", the banned from cable TV "Imprint", the disturbing "Visitor Q" and seminal "Ichi the Killer", to name a few.

Of note though is the fact that Miike has produced and directed scores of films and television programs that fall outside of his noteworthy horror roll of honour. Regardless of your personal attachment to any specific movie genre, he still delivers on the valuable "must see" list of movies no matter what the subject. And Miike's brilliant Japanese Spaghetti Western "Sukiyaki Western Django" certainly can and should be counted on that "must see" list.

THE DEAL

Thankfully, Miike has done the right thing and stayed true to the basic spaghetti western formula, just giving it his trademark post-modernistic Japanese ultra-violent flavor. 1 innocent township with a fist full of treasure, 2 rival gangs fighting over said township for said treasure, 1 lone gun-for-hire maverick caught in between the 2 gangs, and 1 legend pertaining to a mysterious gunslinger from days gone by who you just know will blow in to save the day by the end of the 121 minutes of screen time.

Miike has used the historical rivalry between the Japanese Heike and Genji clans during the samurai era as the background for the story, only difference is that its set in Nevada. The film is scattered with references to the ancient samurai Genpei War clan rivalry, as well as the War of the Roses, and multiple spaghetti western references from the films Yojimbo and Django. It's a great ride throughout, and whilst it is ultra-violent per se, it's still a hell of a story, and a whole heap of fun.

THE FEEL

It has a myriad of classic western movie themes running as an undercurrent, and deals with love, loss, betrayal, all draped with beautifully colored cinematic visuals, and an amazing array of very talented cast. I was particularly taken by the cinematography, the vibrant colors, all carefully muted to take the sharp edge away.

It was for me, very very spectacular to watch as a movie, filled to its 10 gallon brim with motion, movement, rhythm and grace. And again, I was captivated by both the classic western style storyline, and the performances of a group of actors who for the most part would not have English as a first, or possibly even a second language. Yet they still totally kicked ass. Just with spurs on... OUCH!!!

There's no shortage of action, carnage, comedy, and the body count, while not on a Rambo scale, isn't too shabby. There's bucket loads of blood for those of us who appreciate Miike's ultra-violent imagery, and there's enough shoot outs and sword fighting to satisfy most lovers of the action genre.

By the same token, there's plenty of the ol' "deep and meaningful" in the storyline and plot as well, which from a punter's point of view makes it all the more fun. The dialogue is witty, quick, and well suited to genre, and certainly contributes to the film's fast paced style. Like most Takashi Miike films, this baby moves. And she moves quick. I never found myself scratching from boredom, and all my movie going senses were more than catered for. Sight, sound, story, engagement, it was all there in bucketloads. Even the dreaded cameo from Quentin Tarrantino didn't ruin it for me. At 1st, i must admit I kinda braced myself for it, but by his 2nd and 3rd appearances, rather than being the usual self indulgent wankfest you expect to occur, it didn't, and his character did add some value to the overall story, and even a hardass motherfucker like myself kinda giggled when he appears in the "Autobot" wheelchair towards the end of the film. More than meets the eye...

For sure, this movie won't be everyone's idea of a great cinematic experience, but it was more than enough for me. It had all the right moves to fill my action and carnage need, my love of engaging story lines, took my breathe away with dazzling cinematography, set and costume design, and offered up a cast of players who never left you in any doubt that this was a goddamn cowboy movie. With swords....

I felt the story was a perfect adaptation of your classic Italian spaghetti western, had all the elements needed to engage me from go to whoa, and I would have no problem in watching it again. And again. And again. Guaranteed a cult classic, and fully ranked high in my personal opinion.

SKULL SCORE OUT OF 5

THE REAL

Director: Takashi Miike

Producer: Masato Osaki

Cinematography: Toyomichi Kurita

Written by: Masa Nakamura

Staring: Hideaki Ito, Masanobu Ando, Shun Oguri and Quentin Tarrantino

REFERENCES

http://en.wikipedia.org/wiki/Sukiyaki_Western_Django
http://en.wikipedia.org/wiki/Takashi_Miike
http://www.midnighteye.com/reviews/sukiyaki-western-django.shtml